Showing posts with label Naanjil Naadu. Show all posts
Showing posts with label Naanjil Naadu. Show all posts

Monday, September 10, 2012

Travel Tuesday–Play of light in Padmanabhapuram palace


padmanabha palace -light
It is beautiful to see the sheer amount of wood and the play of light in this palace , built near Kanyakumari by the Venad kings. The Venad kings started their reign over Travancore from this region before moving base . The ancient palace ringed in by the Western Ghats stands as the testimony to the origins of the dynasty. It is believed that the ruler Marthanda Varma dedicated his kingdom to his family deity Padmanabha and Padmanabhapuram lost its significance when the capital was eventually shifted from here to Trivandrum in the 18th century .
This was one of the places we visited in the Naanjil Naadu tour. To see more Naanjil Naadu stories, visit here

Thursday, September 6, 2012

Skywatch Friday–a view of a town from atop a temple


In India, small towns and villages are often defined by their temples. The moment you walk into any town, your eyes turn upwards as you scan the height of the Gopura or the tower of the temple. Most photographs will show you the montage of sculptures carved on these tall Gopuras, but very rarely you see images of the town itself .  The temple in Suseendram is the nucleus of the town and as we climbed up the gopura, I saw a different perspective of the town with the Western Ghats bordering it. The town was getting ready for the temple festival and one could feel the energy .

suseendram-temple
suseendram-temple-roof

suseendram-temple-terrace
Suseendram is one of the first places we visited in the Naanjil Naadu tour. For stories on Suseendram, click here. For posts on Naanjil Naadu, visit here.
For beautiful skies around the world, visit Skywatch

Wednesday, September 5, 2012

Five places to visit in Naanjil Naadu

 
Ringed in by oceans and mountains , my journey took me to the erstwhile land called Naanjil Naadu that has been sung about from the days of Sangam era. Today, the region is identified as a part of Kanyakumari and Nagercoil districts, where God’s own country, Kerala first had its origins. Scattered with temples, forts, rock cut caves, palaces with paintings, inscriptions and carvings – there are monuments left behind by these rulers as souvenirs of their reign.

kanyakumari-chinnamuttom

The INTACH tour organised by Tamil Nadu chapter took us to towns and villages, to deserted lakes and forts, to the banks of small rivulets, up a hillock, into dense forests to look for the remnants of the many dynasties that ruled Naanjil Naadu .The Ay rulers from Sangam era reigned here till the 9th century . Early Pandyas had built monuments that led us towards Tirunelveli. The Cholas had left their stamp here ,and the Venad rulers who were the founders of modern day Travancore state ruled from Padmanabhapuram palace here. However everything is not just about heritage. Steeped in cults, we learnt about both facts and folklore, while I got lost in the landscape painted in front of me - natural, social, political, historical, spiritual. While we visited several obscure and nondescript towns and deciphered several inscriptions with the help of our expert guide, Dr V Vedachalam, retired senior epigraphist from Tamil Nadu State Archaeology Department, these are the five places in Naanjil Naadu that I would like to visit again.
chithral-hillock

1. Chithraal

Angels and celestial beings apparently hovered around this hillock and hence it is referred to as Thirucharanattumalai . I would believe this as this is one of the most beautiful places I have ever seen. The scene is virtually breathtaking. The sky is clear, the floating clouds touch the distant peaks of mountains, the greenery is refreshing and the breeze comes calling. An abode of Jaina monks, Dr Vedachalam explains to us that “charanathar “according to Jainism refers to those celestial beings who fly in the skies and are seen in places of worship or living spaces which could be mounds or mountains too.

chithral-sculptures

The rocks are carved with bass relief sculptures depicting Thirthankaras and yakshis that date to the 9th-10th centuries. There is the serene Mahaveera, the snake hooded Parshvanatha along with Neminatha, the yakshis - Padmavathy and Ambika, also known as Dharmadevi looking out into the open. Right atop the cave is a small structural temple dedicated to Bhagavathy deity. Sitting beside the rock, I look out for angels as hillocks surround us in the distant horizon with pools of water reflecting the colours of nature.

2.Thirunandikarai

Deep inside a dense rubber plantation, a stream flows besides an ancient Shiva temple . There is not a soul in sight. If you squint through the woods, a path takes you down to a rock cut cave temple with empty cells. The temples are located in Thirunandikarai, which gets its name from the stream, erstwhile a river called Nandiaaru.
Naanjil Naadu-Thirunandikarai
While the Shiva temple built in the 10th century resembled the architecture style of Kerala monuments, the rock cut cave temple was probably built around the 7th century was probably a Jaina monument. As the birds sing to the dawn, we walk up to the cave temple and see traces of early paintings on the walls. Inscriptions here refer to Vikramaditya Varaguna of the Ay dynasty and even to Raja Raja Chola, who had celebrated his birthday here. The lush greenery, the birds, the sun streaming through the woods, the silence – Thirunandikarai takes you to a different world, one of peace and beauty.

3.Padmanabhapuram palace

The origins of the present day Kerala begins here as this was where the Travancore state was born. Built in the 1600 by the ruler, Iravi Varma, the palace is located inside a fortress with the backdrop of the Western Ghats around it. The moment you step inside the palace, you enter a world as old as 400 years old. Even the 300 year old clock tower shows you the time. Made of jackfruit wood and a combination of granite, coconut shells, egg white , the palace takes you into the King’s Council Chambers, the Mother’s Palace, the Performance Hall among several other chambers. Pillars made of jackfruit wood, galleries of paintings, brass lamps and wooden sculptures, a wooden cot with more than 60 pieces of tree trunks all give it an unique Kerala stamp. It is believed that the ruler Marthanda Varma dedicated his kingdom to his family deity Padmanabha and Padmanabhapuram lost its significance when the capital was eventually shifted from here to Trivandrum in the 18th century .

padmanabha - palace
 

4.Vattakottai

This is my all time favourite . I am standing at Vattakottai, a circular sea port and am encircled by the sea with the mountains at the backdrop. Built in the 18th century by the Travancore kings, the fort was apparently constructed by a Dutch Naval officer De Lannoy who was initially with the Dutch East India Company but eventually became the commander of the Travancore army. The symbols of two elephants and a conch shell stand silently in this picturesque fort which hardly looks like imposing. And as many fort lores say, a tunnel was apparently built here too, but it is now closed. But as you gaze at the blue waters with the low hanging clouds and the waves retreating from the shores, one cannot imagine this was once a battlefield.
Vattakottai

5.Parthivapuram

An idyllic little village with an idyllic little temple, Parthivapuram or Parthivasekarapuram seems like just another Indian hamlet, but for the fact that it goes back to the 9th century . One of the oldest places we visited, the Vishnu temple in Parthivapuram was built by one of the oldest dynasties who have ruled right from the Sangam era – the Ay Dynasty . King Karunandadakkan . Dr Vedachalam gives us a very interesting insight into this village. A copper plate found here informed us that there was once a vedic school here in the 9th century. The Ay rulers had clearly mentioned details regarding the education system, the basis of selection, discipline related issues and even a code of conduct for the students. As we sit in the portals of the temple, listening to stories, we are literally transported to a different era.

This was published in Yahoo recently .  You can read more stories on Naanjil Naadu here. A story on Thirunandikarai was published in my column, Inside Story in The Hindu Metro Plus

Monday, September 3, 2012

A tour of Naanjil Naadu

There is a certain fascination, a sense of a timeless journey, an anticipation of a discovery when you look at a map. Pouring over the colourful piece of paper that marked countless villages and towns, I stood there ,imagining the contours of the map changing while we took a journey down history. We were looking at a map of the present day Nagercoil and Kanyakumari districts in Tamil Nadu, but the stories took us to the times when parts of the region was referred to as Naanjil Naadu.


Ruled by various rulers from the Sangam Age to Travancore kings , with a bit of influence from the Cholas, to early Pandyas, this region had the reign of the Ay rulers, the Venad kings and had also seen battles fought between the Cheras and the Pandyas. Ringed in by oceans and mountains, the locale is scattered with  temples, forts, rock cut caves, palaces with paintings, inscriptions and carvings - monuments left behind by these rulers as souvenirs of their reign. God’s own country found its origins here, long before , Kerala the state was formed. Steeped in cults, we learnt about both facts and folklore, while I got lost in the landscape painted in front of me - natural, social, political, historical, spiritual.


We travelled to towns and villages, to deserted lakes and lush fields, to the banks of small rivulets, up a hillock, into dense forests to look for the remnants of the many dynasties that ruled Naanjil Naadu.The Ay rulers who had reigned for a long period from Sangam era to even 9th century had  left their stamp here. Temples such as Parthivasekarpuram are testimony of their workmanship. Early Pandyas had built monuments that led us towards Tirunelveli. The Venad rulers who were the founders of modern day Travancore state ruled from Padmanabhapuram palace here.



Our guide and expert, Dr V Vedachalam, Retired Senior Epigraphist from Tamil Nadu State Archaelogy Department told us that one of the earliest references to Naanjil Naadu dated back to a song sung by the legendary poetess Avvayar in the Sangam era . The song was in praise of the generosity of a Naanjil Valluvan, a tale of how the Vallavan had sent an elephant loaded with sacks of rice to people who had asked him for a small quantity of rice.

The landscape of the present merged with the past as we heard snippets of legends and history woven together . We stopped by the monuments to step into the milieu of the those times. One of our earliest stops was to Suseendram, where the temple was amidst a flurry of festivities.Dedicated to the trinity - Brahma, Vishnu, Siva, the shrine was also thronged by devotees who worshipped Hanuman, an 18 feet tall diety. Dr Vedachalam however took us around the temple to show us some nondescript rocks tucked away behind the shrine. As we crowded around him, we saw various inscriptions  that dated back to the Chola and Pandya periods. We then climbed up the dingy dark tiers of the Gopuram, disturbing the bats residing there to see some of the most colourful paintings lost in the darkness here. Deities and mortals found expression in rich tapestry of colours as the walls were painted by the artists of a bygone era, only to be vandalised by locals.


Naanjil Naadu tour for me was not just about a dynasty or a religion. The influences were varied, as Dr Vedachalam explained that most of the monuments had altered as beliefs and cults changed over the passage of time.   We were at the Nagaraja temple at Nagercoil when we learnt of the cults relating to Jaina yakshis and snake worship and how they had been woven together and transformed over a period of time.  Jainism had been prevalent here in ancient periods and several Jaina sites tucked away in hillocks  took us back to the era.

As we climb a small hillock called Chitharal near Kanyakumari,  Dr Vedachalam explained to us that the site was known as  Thirucharanattumalai in the ancient times. “Jains believe that this is the abode of the monks who had lived in the natural caves here. In fact “charanathar “according to Jainism refers to those celestial beings who fly in the skies and are seen in places of worship which could be mounds or mountains, sometimes inside towns and living spaces too,” he said.



Atop the hillock, the rocks were carved with bass relief sculptures depicting Thirthankaras and yakshis. There was the serene Mahaveera, the snake hooded Parshvanatha along with Neminatha, the yakshis - Padmavathy and Ambika, also known as Dharmadevi looking out into the open. Hillocks surrounded us in the distant horizon as we saw pools of water reflecting the colours of nature.

Dr Vedachalam said that the sculptures dated back to the 9th-10th centuries as inscriptions referred to the patronage of the AY dynasty ruler, Vikramaditya Varaguna who reigned around the period. More inscriptions written in “Vattaezhuthu “ (one of the oldest Tamil scripts) referred to monks and nuns who had lived here .


Right atop the cave was a small structural temple dedicated to Bhagavathy. Dr Vedachalam said that it was earlier a Jaina temple as the yakshi cult gave way to the Bhagavathy cult over the passage of time. A later 19th century inscription in Malayalam belonging to the Travancore king Moolam Thirunal Maharaja referred to the shrine here.

Our journey took us into fields and plantations. We were inside a dense rubber plantation, watered by a small stream called Nandiaaru . Watching the morning sun streaming through the trees and listening to the call of the birds, we were in the village of Thirunandikarai, which literally translated to the banks of the River Nandi, bordering Kerala. We stumbled upon a Shiva temple that resembled most monuments built in the architecture typical of the state. The sanctum was circular in this 10th century shrine , which had a few inscriptions that dated to the period.

However, nestled behind the temple, a path led us through the dense plantations to a rock cut cave temple, probably a Jaina monument that dated to 7th century or even older. The frescos painted on the walls of the caves had completely faded ,though some of the outlines still existed, leaving us to guess the images.  An inscription mentioned that an 8th century monk called Veeranandi had stayed here and spread Jainism in the region.



Dr Vedachalam told us that an 11th century inscription relating to Raja Raja Chola was found here and it indicated that the monarch had celebrated his birthday here and had defeated Muttom . Inscriptions relating to Vikramaditya Varaguna of the AY dynasty were found here as well.

Our journey took us to more temples such as Tiruvattaru, more rock cut caves as in Rettai Pothal, palaces like Padmanabhapuram, forts like Vattakottai , reservoirs like Veeranarayanam and finally we ended up inside the jungles  of Western Ghats to visit Nambiyaaru , a temple located uphill close to Thirukkurangudi shrine. We had travelled across the districts - Nagercoil, Kanyakumari, Tirunelveli and even to villages close to Kerala border. We climbed hillocks, went on the sea shore,  crossed rivers, drove though the mountains and forests to revisit the Naanjil Naadu of those days. We had probably travelled back to the Sangam era in just three days as we travelled down the historic and spiritual route.

This story was published in Sunday Herald recently. Coming up soon is Five places that you must visit in Naanjil Naadu, an article published in Yahoo. For more Naanjil Naadu posts on backpacker, read here.

Monday, July 2, 2012

Offbeat India - Vattakottai



A Dutch naval officer leads an army against an Indian king, only to be defeated by him. The story however does not end there. The king, impressed by the foreigner hires him and makes him a commander in his own army . The Dutch officer then trains the Indian army, builds forts and even helps them defeat their local and international rivals in war.



You would probably read about these kinds of stories only in India, even if it is set more than 300 years ago. This story, which may seem more common in multinational companies today was set in the 18thcentury when kings and queens ruled over India and the Europeans were knocking at their doors to establish trade and to eventually take over power.  I am speaking of the stories relating to the Travancore – Dutch wars that were set in the 18th century. The king is Travancore Maharaja Marthanda Varma and the Dutch naval officer is Eustachious De Lannoy who was with the Dutch East India Company before switching loyalties.

It is a beautiful day with perfect cotton candy clouds floating over the clear blue sky. The seas surrounding us is calm as it gently caresses the shore. A lone tree stands , its dead branches almost touching the sky. In the distant horizon, we can see windmills dancing to the tune of the breeze. I am at Vattakottai, a circular sea fort built on the coast near Kanyakumari, by De Lannoy for Marthanda Varma.  Standing from the ramparts, I look out into the picturesque view of the Western Ghats encircling the oceans – the Bay of Bengal on one side and the Arabian Sea on the other.


Vattakottai was one of our destinations  as  part of the heritage Naanjil Naadu tour where we explored the monuments left behind by various dynasties in and around Kanyakumari and Nagercoil.  The Venad kings started their reign over Travancore from this region before moving  base . Even today the ancient Padmanabha palace ringed in by the Western Ghats stands as the testimony to the origins of the dynasty. It is believed that the ruler Marthanda Varma dedicated his kingdom to his family deity Padmanabha and Padmanabhapuram lost its significance when the capital was eventually shifted from here to Trivandrum in the 18thcentury .

As we enter the granite fort, the outer walls greet us with the symbol of two elephants with a conch shell, but the fort itself is neither imposing nor formidable. It just seems like another nondescript hidden destination that lets the eye gaze at some of the most beautiful vistas around.  It was believed that one can see the Padmanabhapuram palace from here, but all I can see is a fabric of blue – the sky and the sea seems to merge.  The coconut trees grace the shore, as some parts of the wall jut out into the sea . And as many folk lores say, a tunnel was supposed to have been built here too , but one wonders where ,  as the fort seemed isolated , surrounded by waters.  


A huge open courtyard, probably a parade ground leads us to a flight of steps with a ramp. We look down from the walls , built at a height of almost 25 feet and the sea greets us.  The British apparently destroyed the fort in a much later battle , but today, Vattakottai stands in memory of the Dutch commander who had served and trained the Indian army under the Travancore kings.

Starting July, I am starting a new series called Offbeat India. It will include stories, photo-posts, my columns - Inside Story published in The Hindu among other posts. This was published in my column in The Hindu Metro Plus recently. 

Tuesday, June 12, 2012

Chithral - a Jaina site on a hillock

The clock strikes noon and the sun is at its peak. A group of heritage enthusiasts are climbing up a small hillock in a village called Chithral, near Kanyakumari. I trudge along with them and pause for a moment, waiting to catch my breath.  The scene is virtually breathtaking. 



The sky is clear, the floating clouds touch the distant peaks of mountains, the greenery is refreshing and the breeze comes calling. The weather gods seem to be on our side for a while as the trees create a canopy for us, sheltering us from the mid day sun. For a moment, I forget the heat and lose myself in the journey, for as always, these journeys are filled with legends and myths of cults and beliefs. 

Chithral is part of the itinerary of the Naanjil Naadu tour, organised by INTACH, Tamil Nadu, as we set out to explore heritage among caves and hillocks. Dr V Vedachalam, Retired Senior Epigraphist from Tamil Nadu State Archaeology Department explains to us that the site was known as  Thirucharanattumalai in the ancient times.




 “Jains believe that this is the abode of the monks who had lived in the natural caves here. In fact “charanathar “according to Jainism refers to those celestial beings who fly in the skies and are seen in places of worship which could be mounds or mountains, sometimes inside towns and living spaces too,” he says. 





We continue to trudge along a bit until the rocks part ways and create a narrow tunnel like approach for us. And then we see it. The rocks are carved with bass relief sculptures depicting Thirthankaras and yakshis. 






There is the serene Mahaveera, the snake hooded Parshvanatha along with Neminatha, the yakshis - Padmavathy and Ambika, also known as Dharmadevi looking out into the open. Hillocks surround us in the distant horizon as we see pools of water reflecting the colours of nature.




Dr Vedachalam says that the sculptures date back to the 9th-10th centuries as inscriptions refer to the patronage of the AY dynasty ruler, Vikramaditya Varaguna who reigned around the period. More inscriptions written in “Vattaezhuthu “ (one of the oldest Tamil scripts) refer to monks and nuns who have lived here and also speak about a well known Jaina monk Akshanandi, who was a donor and a patron. 



Right atop the cave is a small structural temple dedicated to Bhagavathy deity. Dr Vedachalam says that it was earlier a Jaina temple as the yakshi cult gave way to the Bhagavathy cult over the passage of time. A later 19th century inscription in Malayalam belonging to the Travancore king Moolam Thirunal Maharaja refers to the shrine here. 

As we sit in the cave, gazing at the sculptures, Dr Vedacahalam points to the carving of yakshi Ambika or Dharmadevi and narrates the story about her cult. “It was believed that Ambika was an ordinary housewife who was thrown out of the house by her husband as she had given away all the food to the Jaina monks. As she walked away with her children, people noticed her divine powers and started worshipping her.  


One version says that the trees flowered and gave her fruits and even a dry reservoir suddenly filled up with water, while another version mentioned that a “kalpavriksh” or a wishing tree gave her all that she desired. When her husband got to know about her “ divine powers” he came over to call her back, but she out of fear committed suicide and became a yakshi ,” says Dr Vedachalam adding that today one can always see Ambika as a yakshi with Neminatha and she is usually flanked with her children and a lion, which is her vehicle. Inscriptions in vattaezhuthu had been found here with references to the yakshi cult as well. 




We spend more than a couple of hours here, losing ourselves in a world of arts and cults, completely cut off from civilisation. For miles and miles around, the mountains and forests circle us as we wonder if the celestial “charanathars” are watching over us as we walk downhill.

This story was published in my column, Inside Story , in The Hindu Metro Plus 

Tuesday, May 8, 2012

India through my eyes - My home is my basket

I was on the Naanjil Naadu tour to down South Tamil Nadu and I saw these kids having a blast in Nagercoil. They were obviously oblivious of my presence as I photographed them . At first it was just one kid and then I saw another hiding beneath another basket. He removed it and spotted me and grinned ear to ear as I took their pictures






Wednesday, April 18, 2012

Heritage week special - Vandalised murals of Suseendram

Deep down South near Kanyakumari  is a temple dedicated to the Trinity - Brahma , Vishnu and Siva called Suseendram. A 18 feet tall Hanuman towers over the devotees, protecting them from all ills. However even he is unable to protect the precious heritage from getting vandalised from people. I was in Suseendram as a part of the Naanjil Naadu tour organised by INTACH Tamil Nadu.  The temple itself maybe over 1500 years old and the seven tier Gopura was built much later .




As you climb up the dark and dingy stairs up the Gopura, disturbing the bats with a flashlight, you chance upon some of the most beautiful murals..

 Unfortunately I discover that many people have been here before me and they chose to highlight their presence by vandalising these paintings.

 This heritage day, lets save and protect our heritage from us.. We have done precious little to add to our heritage for posterity ; so let us not deny them a chance to see what our forefathers had left for us..In the meantime, enjoy some of these paintings.






Read the entire story here in my column in The Hindu Metro Plus 

Friday, February 3, 2012

Skywatch Friday - From the tip of India

I was in the southernmost tip of India , at the confluence of three oceans  - Bay of Bengal, Arabian Sea and the Indian Ocean in a coastal town called Kanyakumari. And the view from one of its fishing hamlets - Chinna Muttom is here for you to soak in along with the hues of the sunset . If you are here on a full moon day, you may be lucky to see the sun set and the moon rise around the same time .



To see more exciting skies around the world , visit Skywatch.

My column on a cult worshipping a mirror aka soul was published in The Hindu. Here is the story for those who missed it


The salts of the sea lure me as I can smell it from a distance. Here, in the confluence of three oceans, lies buried several myths, legends and stories.  Kanyakumari   has always been a mystery to me. Maybe it has something to do with the sea or the tale of the virgin goddess by the sea shore, but the town has never stopped fascinating me. Looking out of the window, I am lost in the many rotating windmills, dancing to the tune of the sea breeze, when I am interrupted by the laughter in the bus. 

I join in the laughter as Sri Charanya , my travel companion shares her memories of Kanyakumari when she visited the coastal town as a twelve year old. “ You know I was told that I could see red , black and blue colours here , the red was the Indian Ocean, the blue being  the Bay of Bengal and the black , the Arabian sea  and I believed  every word of it then , “ she says as echoes of laughter drown her story. Memories come flooding back as I remember my first visit here as a wide eyed twelve year old . 

I am on a Naanjil Naadu tour organised by INTACH, travelling through small towns and villages around Nagercoil and Kanyakumari, visiting many temples, rock cut shrines, mosques, palaces and forts . While we alternate between facts and folk lore, we learn from a team of professors and historians accompanying us about the various dynasties that rule the region. I am of course fascinated by the many landscapes painted in front of me – natural, social , historical, political, spiritual , as I realize that what is today considered God’s own country has its origins right here in Naanjil Naadu, long before Kerala came into being.  

We visit an ancient Chola temple dedicated to Shiva or Guhanathaeswaran  temple as  Dr V Vedachalam, Retired Senior Epigraphist from Tamil Nadu State Archaeology Department  explains the architecture and draws our attention to the inscriptions and various cults of Gods and Goddesses.  It is really Gods own country. The temples in this region are built by various kings across different eras and each one of them has left his stamp behind. From the Ay rules, to early Pandyas to the Venad kings, the land is steeped in cults. 

And I discover another 19thcentury cult right on the shores of a small fishing hamlet called Chinna Muttom .
While most of my travel companions are lost in the beauty around, a few of us walk down to a small shrine located on the rocky shores. A man in a turban is officiating as a priest as we gaze inside the sanctum and look at our hazy reflection with the sea forming our backdrop. There is no deity or idol – just a mirror which reflects and represents the soul or the Vishnu inside you. A small board in Tamil explains the philosophy about worshipping your body as the temple, with your mind at peace and devotion and purity in your soul.  The belief rests in equality; hence the turban says the man where every devotee is a king. Even Vivekananda he claims was influenced by it.  The underlying thought is that you keep your mind and thoughts pure and worship the God or soul inside you. 

I later learn that the cult is referred to as Ayyavazhi founded by a revolutionary called Ayya Vaikundar , also believed by his followers as a reincarnation of Vishnu. However , speaking to Ahi Mohan, coordinator of the Nadar Family Welfare centre in Trivandrum, I learn that he was  a 19th century social reformer , who was born in Kanyakumari district with a strong belief in equality of all people. He had built five main pathis, what we refer to as temples and the 200 year pathi at Chinna Muttom was called Muthapathi.  The followers believe that a dip in the sea will sanctify them.  

I stand and gaze at my hazy reflection in the mirror for a long time and realize that my mind is blank, bathed by the ocean and purged of all thoughts. Elsewhere in the haze of white foam and fury of the waves, I can see a distant form of Sri Charanya calling out my name, holding some wet sands in her hands. As she comes closer, we both laugh. In her hands are lumps of black and brownish soil in her hands and the colours seem to merge with the blue of the ocean.

Tuesday, January 3, 2012

My first trip in 2012



In a couple of days I will be on the train again. This time , to my native state, city and village. The first and statutory port of halt will be to Chennai aka Madras and then am off on a heritage trail called the Naanjil Naadu tour, to some of the temples and towns in down South in Tamil Nadu bordering Kerala. thereafter I am heading to Thirunelveli and to my dad's village, Kalladaikurichi . It has been more than 20 years since I went to my village and am hoping to make the most of it. The area is rich in eco and wildlife tourism, heritage and culture and am not sure how much time I will have to explore around. However, I am sure to make more trips down South this year.